CBSE Class 11th(Arts) Fine Arts Syllabus 2021-22

Unit1(a)

 

(b)

Six limbs of Indian Painting & fundamentals of Visual Arts (Elements & Principles)

The Rajasthani and Pahari Schools of Miniature Painting

Periods

Marks

24

10

2

The Mughal and Deccan Schools of Miniature Painting

24

10

3

The Bengal School of Painting and the Modern Trends in Indian Art

24

10

 

 

72

30

Unit 1 (a) Six Limbs of Indian Painting & Fundamentals of Visual Arts (Elements and Principles)

(b)

The Rajasthani and Pahari Schools of Miniature Painting

(16th Century A.D. to 19th Century A.D.)

A brief introduction to Indian Miniature Schools: Western- Indian, Pala, Rajasthani, Mughal, Central India, Deccan and

Pahari.

18 Periods

 The Rajasthani School:

 

  1. Origin and Development

  2. Sub-Schools-Mewar, Bundi, Jodhpur, Bikaner, Kishangarh and Jaipur

  3. Main features of the Rajasthani School

  4. Study of method & material and appreciation of the following Rajasthani paintings

Title

Painter

Sub-School

Maru-Ragini

Sahibdin

Mewar

Raja Aniruddha Singh Hara

Utkal Ram

Bundi

Chaugan Players

Dana

Jodhpur

Krishna on swing

Nuruddin

Bikaner

Radha (Bani- Thani)

Nihal Chand

Kishangarh

Bharat Meets Rama at Chitrakuta

Guman

Jaipur

The Pahari School:

  1. Origin and development

  2. Sub-Schools-Basohli, Guler, Kangra, Chamba and Garhwal

  3. Main features of the Pahari School

  4. Study of method & material and appreciation of the following Pahari paintings:

Title

Painter

Sub-School

Krishna with Gopis Nand, Yashoda and Krishna with Kinsmen

Going to Vrindavana

Manaku

 

Nainsukh

Basohli

 

Kangra

Unit 2: The Mughal and Deccan Schools of Miniature Painting                     

The Mughal School

  1. Origin and development

  2. Main features of the Mughal School

  3. Study of method & material and appreciation of the following Mughal Paintings:

Title

Painter

Krishna Lifting Mount Govardhana

Miskin

Birth of Salim

Ramdas

Falcon on a Bird-Rest

Ustad Mansoor

Ustad Mansoor

Ustad Faquirullah Khan

Marriage Procession of Dara Shukoh

Haji Madni

The Deccan School

  1. Origin and development

  2. Main features of the Deccan School

  3. Study of method & material & appreciation of the following Deccan paintings:

Title

Painter

Sub-School

Ragini Pat-hamsika

Unknown

Ahmadnagar

Hazrat Nizamuddin Auliya and Amir Khusro

Unknown

Hyderabad

Chand Bibi Playing Polo (Chaugan)

Unknown

Gol Konda

 

Unit 3:

The Bengal School of Painting and the Modern trends in Indian Art

(About the beginning to mid of the 20th Centuary)

24 Periods

(a)

National Flag of India and the Symbolic significance of its forms and the colours.

 

(b)

Introduction to the Bengal School of Painting

  1. Origin and development of the Bengal School of Painting

  2. Main features of the Bengal School of Painting

 

( c)

(i) Introduction to the life and creative expressions of the following painters Study of method & material and appreciation of the following paintings of the Bengal school:

  1. Journey’s End - Abanindranath Tagore

  2. Shiv and Sati- Nandla Bose

(ii)        Rasa-Lila – Kshitindranath Majumdar

  1. Radhika - M.A.R. Chughtai

  2. Meghdoot - Ram Gopal Vijaivargiya

Contribution of Indian artists in the struggle for National Freedom Movement

Tiller of the Soil - Nandlal Bose

 

( d)

The Modern Trends in Indian Art

Introduction to the life and creative expressions of the following pain

 

 

Study of method & material      and appreciation of the following Contemporary (Modern) Indian Art

 

(a)

Paintings:

  1. Rama Vanquishing the Pride of the Ocean – Raja Ravi Varma

  2. Mother and child - Jamini Roy

  3. Haldi Grinders - Amrita Sher Gil

  4. Mother Teresa - M.F. Husain

  5. The Vulture - Kamlesh Dutt Pande

 

(b)

Graphic - prints:

  1. Whirl pool - Krishna Reddy

  2. Children - Somnath Hore

  3. Devi - Jyoti Bhatt

  4. Of Walls - Anupam Sud

  5. Man, Woman and Tree - K. Laxma Goud

 

(c)

Sculptures:

  1. Triumph of Labour - D. P. Roychowdhury

  2. Santhal Family - Ramkinkar Vaij

  3. Cries Un - heard – Amar Nath Sehgal

  4. Ganesha - P.V. Janaki Ram

  5. Chatturmukhi - Aekka Yada Giri Rao

 

The names of artists and titles of their artworks as listed above are only suggestive and in no way exhaustive. Teachers and students should expand this according to their own resources. However, the questions will be set from the above mentioned artworks only.

                                                   Practical

 

Unit

Content

Periods

Marks

1

Nature, and Object Study

50

25

2

Painting Composition

50

25

3

Portfolio Assessment

48

20

 

Total

148

70

 

 

Unit 1

Nature and Object study

Studies on the basis of exercises done in class XI with two or three objects and two draperies (in different colours) for background and foreground. Exercises in pencil with light and shade and in full colour from a

fixed point of view.

25 marks 50 Periods

Unit 2:

Painting Composition

Imaginative painting based on subjects from Life and Nature in water and poster colours with colour values.

25 marks 50 Periods

Unit 3:

Portfolio Assessment

20 marks 48 Periods

a)

Record of the entire year's performance from sketch to finished product.

10 marks

b)

Five selected nature and object study exercises in any media done during the session

5 marks

c)

Three selected works of paintings composition done by

the candidate during the year

3 marks

d)

Two selected works based on any Indian Folk Art (Painting)

2 marks

                                                     Graphics

unit

 

Period

Marks

1 (a)

Six Limbs of Indian Painting & Fundamental of Visual Arts (Elements & Principles)

 

 

(b)

The    Rajasthani   and   Pahari   Schools   of    Miniature

Painting

24

10

2

The Mughal and Deccan schools of Miniature Painting

24

10

3

The Bengal School of Painting and the Modern Trends in Indian Art

24

10

 

 

72

30

Note: The Syllabus of Graphics (Theory) for Class XII is the same as that of Painting (Theory) for class XII given earlier.

Unit

 

Period

Marks

1

Making of graphic-print through

Serigraphy/Lithography/Etching and Engraving (Intaglio Process) techniques

100

50

2

Portfolio Assessment

48

20

 

Total

148

60

 

S.No.

Units

Periods

1 a)

Serigraphy

  1. The history of stencils and silk screen.

  2. Methods and materials.

  3. The use and maintenance of the squeeze.

  4. Sealing, registration for colour, work and preparation for printing.

  5. Solvents for cleaning, use and characteristics of printing inks.

  6. Finishing and mounting of the print.

120 Periods

 

OR

 

b)

Lithography

100 Periods

 

  1. Introduction: Short history and the methods and material used in producing lithographic prints

  2. The use and characteristics of the Litho stone/Zinc plates.

  3. The use of lithographic chalks and ink (Tusche).

  4. Preparing for printing and use of various chemicals inking and taking proofs.

  5. Papers used in lithography and getting the final print.

  6. Finishing and mounting of the print.

 

 

OR

 

C)

Etching and Engraving (Intaglio Process)

120 Periods

 

  1. Introduction to intaglio technique with a short history, methods and materials, Etching process.

  2. Preparing the plate and laying the ground (resist) and Inking.

  3. Characteristics of different types of grounds.

  4. Characteristics and use of various acids.

  5. Colour etching, use of stencils and marks.

 

 

 

                                               SCULPTURE

 

1 a)

Six Limbs of Indian Art Painting & Fundamental of Visual Arts (Elements & Principles)

24

10

b)

The Rajasthani and Pahari Schools of Miniature Painting

2

The Mughal and Deccan Schools of Miniature Painting

24

10

3

The Bengal School of Painting and the Modern Trends in Indian Art

24

10

 

Note: The Syllabus of Sculpture (Theory) for Class XII is the same as that of Painting (Theory) for Class XII given earlier.

1

Modeling in Relief (Clay and plaster of Paris)

50

25

2

Modeling in Round (clay and plaster of Paris

50

25

3

Portfolio Assessment

48

25

                                APPLIED ART -COMMERCIAL ART

1 a

Six Limbs of Indian Art Painting & Fundamental of Visual Arts (Elements & Principles)

 

 

b

The Rajasthani and Pahari Schools of Miniature Painting

24

10

2

The Mughal and Deccan Schools of Miniature

Painting

24

10

3

The Bengal School of Painting and the Modern

Trends in Indian Art

24

10

 

1

Illustration

50

25

2

Poster

50

25

3

Portfolio Assessment

48

20

 

Unit 1

Illustration

Study of techniques of illustration on given subjects and simple situations supported by drawing from life and

outdoor sketching in different media suitable for printing.

25 marks 50 Periods

Unit 2

Poster

Making a poster with specified data and slogan on a given subject in two or three colours.

25 marks 50 Periods

Unit 3

Portfolio Assessment

 

  1. Record of the entire years performance from sketch to finished product.

  2. Five selected drawings in any media done during the year including minimum of two illustrations

  3. Three selected posters in chosen subject.

  4. Two selected works based on Indian Folk Art

20 marks 48 Periods

 

10

 

05

 

03

02