CBSE Class 11th(Arts) Fine Arts Syllabus 2021-22

                                                    Fine Arts

The following art terminologies for all the four subjects are prescribed only for reference and general enrichment.

1

Six limbs of Indian Painting

Sadangas

2

Fundamentals of Visual Arts

 

Elements

Point, line, colour, tone, texture and space.

Principles

Unity, harmony, balance, rhythm, emphasis and

proportion,

3

Drawing & Painting and materials

Abstraction and stylization, Foreshortening, perspective, eye level, fixed point of view, Vanishing point, ratio-proportion, sketching, drawing light and shade, still- life, land-scape, anatomy, vertical, horizontal, two and three dimensional, transparent and opaque Paper (Cartridge, handmade canvas and Hard- board Handmade, ect.),

Pencil, water colour, acrylic colour, transparent

4

Media of Composition

Collage, Mosaic, Painting, Mural, Fresco, Batik Tie and Dye.

5

Sculpture

Relief and round sculpture, modeling with clay, terra-cotta, carving in wood, stone, bronze casting,

plaster of Paris and metal welding.

6

Graphics

Linocut, relief printing, etching, Lithography, silk

screen printing,.

7

Applied Art – Commercial Art

Book cover design and illustration, cartoon, poster, Advertisements, newspaper and magazine, animation and printing processes, photography, computer-graphic, hoarding and T.V, letter press

and offset printing

                                                 

                                      Portfolio Assessment Method

Introduction:  The Art Portfolio will consist of a compilation of all art works, from sketch to finished product. The submission would include both the original and improved versions of assigned tasks reflective of gradual improvement. Step by step development of the work will be assessed in all units.

Components of a Portfolio:

Profile of Learners Growth Values and Attitudes Rubric 

The learner develops the ability to:

 PORTFOLIO ASSESSMENT FOR FINE ARTS MAY BE DONE ON THE BASIS OF FOLLOWING CRITERIA

Creativity: Candidates are required to produce evidence that demonstrates a creative approach to problem-solving. Evidence should also include the ability to interpret a given brief and original approaches to produce a solution. Sketchbooks, notebooks and relevant support material should form part of this evidence.

  1. Drawing

  2. Detailed Study - observation, record, analysis, interpreting a variety of subject

  3. Mood reflected

  4. Follow-up of the Fundamentals of Visual Arts (Elements and Principles)

  5. Message the artist wants to convey

Innovation: The knowledge gained with the help of case study (historical importance, great artist). How has the above been understood in relation to the topic or the theme taken up by the student?

Technique: To foster creativity and self-expression (basic understanding of colour concept and application in relation to colour and texture of the material used by the student). Size, details, proportion required according to the base used for the painting medium chosen according to their art stream. Techniques studied from folk style, contemporary art or traditional art should be used while creating a new concept.

The learners:

Execution of Work

Experimentation

  1. Progressive Work: Candidates are required to show evidence of research carried out. It is expected that their skills will demonstrate evidence of process and the exploration of a wide range of subjects. An accepted standard of achievement using a range of media and material should be an integral part of the candidate's development.

  2. Skills: Sound aesthetic judgment and organizational skills should be demonstrated in the process of presented by a candidate.

  3. Logical organization and collection of creations.

  4. Critical evaluation and aesthetic judgment applied

                                        PAINTING

Introduction:          The course in Painting at Senior Secondary stage as an elective subject is aimed to develop aesthetic sense of the students through the understanding of various important well known aspects and modes of visual art expression in India’s rich cultural heritage from the period of Indus valley to the present time. It also encompasses practical exercises in drawing and painting to develop their mental faculties of observation, imagination, creation and physical skills required for its expressions.

Objectives

  1. Theory

     2. Practical

The purpose of introducing practical exercises in painting is to help and enable the students:

                                     Unit wise Weightage

 

Unit

Content

Periods

Marks

1 (a)

 

(b)

Six limbs of Indian Painting & fundamentals of

Visual Arts (Elements and Principals)

 

24

5

Pre-Historic rock paintings and art of Indus

Valley

5

2

Buddhist, Jain and Hindu Art

24

10

3

Temple     Sculptures,    Bronzes    and                  Artistic aspects of Indo- Islamic architecture

24

10

 

 

72

30

 

Unit

Content

24

Periods

Unit 1. a.

 

b.

Six Limbs of Indian Painting & Fundamentals of Visual Arts

(Elements and Principles)

 

Pre-historic Rock Paintings and Art of Indus Valley (2500 B.C to 1500 B.C)

(i) Pre Historic Rock Paintings Introduction

  1. Period and Location

  2. Study of method & material and appreciation of following Pre- historic paintings:

  • Wizard's Dance, Bhimbethaka

 

(ii)

(ii) Introduction

  1. Period and Location.

  2. Extension: In about 1500 miles

  • Harappa & Mohenjo-daro (Now in Pakistan)

  • Ropar, Lothal, Rangpur, Alamgirpur, Kali Bangan, Banawali and Dholavira (in India)

 

2

Study of method & material and appreciation of following Sculptures and Terracottas:

  1. Dancing girl (Mohenjo-daro) Bronze, 10.5 x 5 x 2.5 cm. Circa 2500 B.C.

(Collection: National Museum, New Delhi).

 

  1. Male Torso (Harappa)

Red lime Stone, 9.2 x 5.8 x 3 cms.

Circa 2500 B.C.

(Collection: National Museum, New Delhi)

 

  1. Mother Goddess (Mohenjo-daro) terracotta, 22 x 8 x 5 cms. Circa 2500 B.C. (Collection: National Museum, New Delhi).

 

3.

Study of method and material and appreciation of the following Seal:

 

 

(i) Bull (Mohenjo-daro)

Stone (Steatite), 2.5 x 2.5 x 1.4 cm.

Circa 2500 B.C. (Collection: National Museum, New Delhi). Decoration on earthen ware:

 

 

(ii) Painted earthen-ware (Jar) Mohenjo-daro (Collection: National Museum, New Delhi).

 

Unit 2

Buddhist, Jain and Hindu Art

(3rd century B.C. to 8th century A.D.)

24

Periods

1.

General Introduction to Art during Mauryan, Shunga,

Kushana (Gandhara and Mathura styles) and Gupta period:

 

2.

Study of method & material and appreciation of following Sculptures:

 

(i) Lion Capital from Sarnath (Mauryan period)

Polished sandstone, Circa 3rd Century B.C. (Collection: Sarnath Museum, U.P.)

 

 

(ii) Chauri Bearer from Didar Ganj (Yakshi) (Mauryan period) Polished sandstone Circa 3rd Century B.C.

(Collection: Patna Museum, Bihar)

 

(iii) Bodhisattva head from Taxila (Kushan period-Gandhara style) Stone, 27.5 x 20 x 15c.m. Circa 2nd Century A.D.

(Collection: National Museum, New Delhi)

 

(iv) Seated Buddha from Katra Mound, Mathura-(Kushan Period-

Mathura Style) Red-spotted Sand Stone, Circa 3rd Century AD. (Collection: Govt. Museum, Mathura)

 

(v)Seated Buddha from Sarnath (Gupta period)

Stone Circa 5th century AD (Collection: Sarnath Museum U.P.)

 

(vi)Jain Tirathankara (Gupta period) Stone, Circa 5th Century A.D.

(Collection: State Museum, Lucknow U.P.)

3.

Introduction to Ajanta

Location and period, No. of caves, Chaitya and Vihara, paintings and sculptures, subject-matter and technique etc.

4.

Study of method & material and appreciation of following painting

(i)Padmapani Bodhisattva (Ajanta Cave No. I, Maharashtra) Mural Painting Circa 5th Century A.D.

Unit 3:

Temple Sculpture, Bronzes and artistic aspects of Indo Islamic Architecture

24

Periods

(A)

Artistic aspects of Indian Temple sculpture (6th Century A.D. to 13th Century A.D.)

 

1.

Introduction to Temple Sculpture

(6th Century A.D. to 13th Century A.D.)

 

2.

Study of method & material and appreciation of following Temple- Sculptures:

 

 

(i) Descent of Ganga (Pallava period, Mamallapuram, Tamil Nadu), granite rock,

Circa 7th Century A.D.

 

 

(ii) Ravana Shaking Mount Kailasha (Rashtrakuta period, Ellora, Maharashtra)

Stone 8th Century A.D.

 

(iii) Trimurti (Elephanta, Maharashtra) Stone, Circa 9th Century A.D.

 

(iv)Lakshmi   Narayana (Kandariya   Mahadev   Temple)                        (Chandela period, Khajuraho; Madhya Pradesh)

Stone, Circa 10th Century A.D.

 

(v) Cymbal Player, Sun Temple (Ganga Dynasty, Konark; Odisha) Stone, Circa 13th Century A.D.

 

(vi) Mother and Child (Vimal-Shah Temple, Solanki Dynasty, Dilwara, Mount Abu; Rajasthan) white marble, Circa 13th Century A.D.

 

(B)

Bronzes

 

1.

Introduction to Indian Bronzes

 

2.

Method of casting (solid and hollow)

 

3.

Study and appreciation of following south Indian Bronze:

 

 

(i)Nataraj (Chola period, Thanjavur Distt. Tamil Nadu)12th Century A.D.

(Collection: National Museum, New Delhi.)

 

(C)

Artistic aspects of the Indo-Islamic architecture:

 

1

Introduction

 

2

Study and appreciation of following architectures:

 

 

(i) Qutab Minar, Delhi

 

 

(ii)Taj Mahal, Agra

 

 

(iii) Gol Gumbad of Bijapur

 

                                              Unit wise Weightage 

Unit

Content

Periods

Marks

1

Nature and Object Study

50

25

2

Painting Composition

50

25

3

Portfolio Assessment

48

20

 

Total

148

70

 

Unit 1

Nature and Object Study

Study of two or three natural and geometric forms in pencil with light and shade from a fixed point of view. Natural forms like plants, vegetables, fruits and flowers, etc., are to be used. Geometrical forms

of objects like cubes, cones, prisms, cylinders and spheres should be used.

25 Marks

50 Periods.

Unit 2:

Painting Composition

25      Marks

50 Periods

i.

Simple exercises of basic design in variation of geometric and rhythmic shapes                   in       geometrical and          decorative                 designs                 and   colours         to

understand designs as organised visual arrangements.

10       Marks 25 Periods

ii.

Sketches from life and nature

15       Marks

25 Periods

Unit 3

Portfolio Assessment

20 Marks

48 Periods

a)

Record of the entire years' performance from sketch to finished product

10 Marks

b)

Five selected nature and object study exercises in any media done

during the session

05 Marks

c)

Three selected works of painting composition done during the year

03 Marks

d)

Two selected works based any Indian Folk Art (Painting)

02 marks

 

These selected works prepared during the course by the candidates and certified by the school authorities as the work done in the school will be placed before the examiners for assessment.

Note:            1.The candidates should be given one hour-break after first three hours.

                     2.The time-table to be so framed as to allow the students to work continuously for minimum of two periods at a stretch.