1 |
Six limbs of Indian Painting |
Sadangas |
2 |
Fundamentals of Visual Arts |
|
Elements |
Point, line, colour, tone, texture and space. |
|
Principles |
Unity, harmony, balance, rhythm, emphasis andproportion, |
|
3 |
Drawing & Painting and materials |
Abstraction and stylization, Foreshortening, perspective, eye level, fixed point of view, Vanishing point, ratio-proportion, sketching, drawing light and shade, still- life, land-scape, anatomy, vertical, horizontal, two and three dimensional, transparent and opaque Paper (Cartridge, handmade canvas and Hard- board Handmade, ect.),Pencil, water colour, acrylic colour, transparent |
4 |
Media of Composition |
Collage, Mosaic, Painting, Mural, Fresco, Batik Tie and Dye. |
5 |
Sculpture |
Relief and round sculpture, modeling with clay, terra-cotta, carving in wood, stone, bronze casting,plaster of Paris and metal welding. |
6 |
Graphics |
Linocut, relief printing, etching, Lithography, silkscreen printing,. |
7 |
Applied Art – Commercial Art |
Book cover design and illustration, cartoon, poster, Advertisements, newspaper and magazine, animation and printing processes, photography, computer-graphic, hoarding and T.V, letter pressand offset printing |
Unit |
Content |
Periods |
Marks |
1 (a)(b) |
Six limbs of Indian Painting & fundamentals ofVisual Arts (Elements and Principals) |
24 |
5 |
Pre-Historic rock paintings and art of IndusValley |
5 |
||
2 |
Buddhist, Jain and Hindu Art |
24 |
10 |
3 |
Temple Sculptures, Bronzes and Artistic aspects of Indo- Islamic architecture |
24 |
10 |
|
|
72 |
30 |
Unit |
Content |
24Periods |
Unit 1. a.b. |
Six Limbs of Indian Painting & Fundamentals of Visual Arts(Elements and Principles) |
|
Pre-historic Rock Paintings and Art of Indus Valley (2500 B.C to 1500 B.C)(i) Pre Historic Rock Paintings Introduction
|
|
|
(ii) |
(ii) Introduction
|
|
2 |
Study of method & material and appreciation of following Sculptures and Terracottas:
(Collection: National Museum, New Delhi).
Red lime Stone, 9.2 x 5.8 x 3 cms.Circa 2500 B.C.(Collection: National Museum, New Delhi)
|
|
3. |
Study of method and material and appreciation of the following Seal: |
|
|
(i) Bull (Mohenjo-daro)Stone (Steatite), 2.5 x 2.5 x 1.4 cm.Circa 2500 B.C. (Collection: National Museum, New Delhi). Decoration on earthen ware: |
|
|
(ii) Painted earthen-ware (Jar) Mohenjo-daro (Collection: National Museum, New Delhi). |
|
Unit 2 |
Buddhist, Jain and Hindu Art(3rd century B.C. to 8th century A.D.) |
24Periods |
1. |
General Introduction to Art during Mauryan, Shunga,Kushana (Gandhara and Mathura styles) and Gupta period: |
|
2. |
Study of method & material and appreciation of following Sculptures: |
|
(i) Lion Capital from Sarnath (Mauryan period)Polished sandstone, Circa 3rd Century B.C. (Collection: Sarnath Museum, U.P.) |
|
|
(ii) Chauri Bearer from Didar Ganj (Yakshi) (Mauryan period) Polished sandstone Circa 3rd Century B.C.(Collection: Patna Museum, Bihar) |
|
|
(iii) Bodhisattva head from Taxila (Kushan period-Gandhara style) Stone, 27.5 x 20 x 15c.m. Circa 2nd Century A.D.(Collection: National Museum, New Delhi) |
|
|
(iv) Seated Buddha from Katra Mound, Mathura-(Kushan Period-Mathura Style) Red-spotted Sand Stone, Circa 3rd Century AD. (Collection: Govt. Museum, Mathura) |
|
|
(v)Seated Buddha from Sarnath (Gupta period)Stone Circa 5th century AD (Collection: Sarnath Museum U.P.) |
|
|
(vi)Jain Tirathankara (Gupta period) Stone, Circa 5th Century A.D.(Collection: State Museum, Lucknow U.P.) |
|
3. |
Introduction to AjantaLocation and period, No. of caves, Chaitya and Vihara, paintings and sculptures, subject-matter and technique etc. |
|
4. |
Study of method & material and appreciation of following painting(i)Padmapani Bodhisattva (Ajanta Cave No. I, Maharashtra) Mural Painting Circa 5th Century A.D. |
|
Unit 3: |
Temple Sculpture, Bronzes and artistic aspects of Indo Islamic Architecture |
24Periods |
(A) |
Artistic aspects of Indian Temple sculpture (6th Century A.D. to 13th Century A.D.) |
|
1. |
Introduction to Temple Sculpture(6th Century A.D. to 13th Century A.D.) |
|
2. |
Study of method & material and appreciation of following Temple- Sculptures: |
|
|
(i) Descent of Ganga (Pallava period, Mamallapuram, Tamil Nadu), granite rock,Circa 7th Century A.D. |
|
|
(ii) Ravana Shaking Mount Kailasha (Rashtrakuta period, Ellora, Maharashtra)Stone 8th Century A.D. |
|
(iii) Trimurti (Elephanta, Maharashtra) Stone, Circa 9th Century A.D. |
|
|
(iv)Lakshmi Narayana (Kandariya Mahadev Temple) (Chandela period, Khajuraho; Madhya Pradesh)Stone, Circa 10th Century A.D. |
|
|
(v) Cymbal Player, Sun Temple (Ganga Dynasty, Konark; Odisha) Stone, Circa 13th Century A.D. |
|
|
(vi) Mother and Child (Vimal-Shah Temple, Solanki Dynasty, Dilwara, Mount Abu; Rajasthan) white marble, Circa 13th Century A.D. |
|
(B) |
Bronzes |
|
1. |
Introduction to Indian Bronzes |
|
2. |
Method of casting (solid and hollow) |
|
3. |
Study and appreciation of following south Indian Bronze: |
|
|
(i)Nataraj (Chola period, Thanjavur Distt. Tamil Nadu)12th Century A.D.(Collection: National Museum, New Delhi.) |
|
(C) |
Artistic aspects of the Indo-Islamic architecture: |
|
1 |
Introduction |
|
2 |
Study and appreciation of following architectures: |
|
|
(i) Qutab Minar, Delhi |
|
|
(ii)Taj Mahal, Agra |
|
|
(iii) Gol Gumbad of Bijapur |
|
Unit |
Content |
Periods |
Marks |
1 |
Nature and Object Study |
50 |
25 |
2 |
Painting Composition |
50 |
25 |
3 |
Portfolio Assessment |
48 |
20 |
|
Total |
148 |
70 |
Unit 1 |
Nature and Object StudyStudy of two or three natural and geometric forms in pencil with light and shade from a fixed point of view. Natural forms like plants, vegetables, fruits and flowers, etc., are to be used. Geometrical formsof objects like cubes, cones, prisms, cylinders and spheres should be used. |
25 Marks50 Periods. |
Unit 2: |
Painting Composition |
25 Marks50 Periods |
i. |
Simple exercises of basic design in variation of geometric and rhythmic shapes in geometrical and decorative designs and colours tounderstand designs as organised visual arrangements. |
10 Marks 25 Periods |
ii. |
Sketches from life and nature |
15 Marks25 Periods |
Unit 3 |
Portfolio Assessment |
20 Marks48 Periods |
a) |
Record of the entire years' performance from sketch to finished product |
10 Marks |
b) |
Five selected nature and object study exercises in any media doneduring the session |
05 Marks |
c) |
Three selected works of painting composition done during the year |
03 Marks |
d) |
Two selected works based any Indian Folk Art (Painting) |
02 marks |